中国爱乐乐团艺术总监/首席指挥：余 隆

	中国爱乐乐团 艺术总监/首席指挥：余 隆

    CCTV.com消息：余隆是活跃于当今国际乐坛的最杰出的中国指挥家之一，曾应邀在世界许多国家和地区担任客席指挥。他曾经在德国、法国、荷兰、瑞士、波兰、匈牙利、葡萄牙、斯洛伐克、澳大利亚、新加坡、泰国和香港、澳门、台湾等国家和地区登台指挥，与世界著名的指挥家内维尔·马里纳，钢琴家米哈伊尔·普雷特涅夫、郎朗、李云迪，小提琴家伊扎克·帕尔曼、林昭亮、弗朗克·彼得·齐默尔曼，大提琴家玛特·海莫维兹、王健，单簧管演奏家查尔斯·内迪克和女高音歌唱家蒂齐娅娜·费贝利希尼等合作，指挥过德国汉堡歌剧院、柏林广播交响乐团、莱比锡广播乐团、汉堡交响乐团、英国圣马丁乐团、匈牙利布达佩斯广播交响乐团、布莱梅爱乐乐团、法国尼斯大剧院、爱尔兰国家爱乐乐团、澳大利亚悉尼交响乐团和香港管弦乐团、东京爱乐乐团和新加坡交响乐团等知名的乐团和歌剧院。余隆的指挥曲目包括不同时代和不同领域的作品，尤以指挥歌剧而闻名，他在世界各地指挥了《茶花女》、《图兰多》、《阿伊达》、《卡门》、《拉美莫尔的露契亚》、《罗米欧与朱丽叶》、《风流寡妇》、《唐·帕斯瓜勒》等歌剧名作，均获得巨大成功，在国际乐坛赢得了广泛赞誉，也由此奠定了他作为一位优秀指挥家的国际地位。

　　余隆1964年出生于上海的一个音乐世家，自幼随其外祖父、著名作曲家丁善德教授学习音乐。他曾经就读于上海音乐学院和德国柏林高等艺术大学，先后受教于中国音乐教育家黄晓同教授和德国歌剧指挥家鲁宾斯坦教授等名师。出色的音乐天赋及优越的音乐教育为余隆的艺术生涯奠定了坚实的基础，使他能够迅速成长为卓有成就的指挥家。

1992年，余隆出任中央歌剧院常任指挥。同年，他创办了首届北京新年音乐会，并连续三年担任指挥。1998年，余隆发起创办了北京国际音乐节，并担任艺术总监。此后，在他的出色领导下，北京国际音乐节成为中国乃至全世界最具影响力的音乐盛会之一，对促进国际音乐文化交流、推动中国音乐事业发展发挥了积极作用。在历届北京国际音乐节首演的大量作品中，包括余隆与大提琴家朱利安·劳埃德 ·韦伯合作进行世界首演的当代作曲大师菲力普·格拉斯的大提琴协奏曲。余隆曾连续五年为香港市政局制作并指挥歌剧演出。成功地组织这些盛大的音乐活动，让世人充分认识到作为音乐家的余隆所具有的高品味的艺术鉴赏力和杰出的组织才能。

　　2000年，余隆参与创建了中国爱乐乐团，并担任艺术总监和首席指挥。余隆期望通过与众多世界知名音乐家的合作，使中国爱乐乐团发展成一个全能的职业化乐团，不仅能够向全世界介绍优秀的中国交响乐佳作，也能够出色地演奏西方音乐史上各个时期的代表作品，在不同的音乐形式上均有所建树。中国爱乐乐团成立后，余隆指挥这个年轻的乐团演出了许多大型作品，包括威尔第的《安魂曲》、柏辽兹的《浮士德的沉沦》、马勒的《大地之歌》、奥尔夫的《布兰诗歌》和贝多芬第九交响曲等，其中有些作品系首次在中国演出。2002年10月，余隆指挥包括中国爱乐乐团在内的近千名中外音乐家演出了马勒的第八《千人》交响曲，完成了这部宏伟巨作的历史性中国首演。2001年9月，余隆率中国爱乐乐团在台湾地区举行了成功的巡回演出。2002年6月，余隆率中国爱乐乐团参加了波多黎各的卡萨尔斯音乐节。同年9月，余隆再次率中国爱乐乐团赴日本东京、神户、大阪和韩国汉城演出，取得了轰动性成功。2003年 5月起，余隆在作为北京国际音乐节艺术总监与中国爱乐乐团艺术总监和首席指挥的同时兼任广州交响乐团音乐总监。9月，余隆率领中国爱乐乐团赴欧洲巡演，在著名的巴黎国家歌剧院、华沙国家大剧院和维也纳音乐之友协会大厅演出；11月至12月间，余隆与大提琴家米沙·梅斯基和广州交响乐团一道进行大规模巡演，在巴黎香榭丽舍剧院、卢森堡音乐学院音乐厅、荷兰阿姆斯特丹音乐厅、开罗歌剧院和亚历山大音乐厅演出。

　　2005年2月至4月，余隆率领中国爱乐乐团举行了中国音乐史上空前规模的环球世界巡演，历时40余天，在美国、加拿大、意大利、斯洛文尼亚、克罗地亚、英国、德国等国家的22个城市成功举行音乐会，其巡演时间之长，涉足地域之广，演出场次之多，不仅在中国乐团出访史上前所未有，在全亚洲的交响乐团中也实属罕见，引起了国际社会的广泛关注。包括纽约林肯中心音乐厅、伦敦巴比肯音乐厅和柏林爱乐音乐厅在内的一系列演出，都引起巨大轰动，受到包括美国《纽约时报》、英国《泰晤士报》、德国《法兰克福汇报》等在内的西方主流媒体的热评，称赞其 “为中国交响乐的历史书写了崭新的篇章”，“为中国人赢得了骄傲”。

　　鉴于余隆在推动当今世界古典音乐事业发展以及促进国际间文化交流方面所作的突出贡献，2002年，德国万宝龙文化基金会向他颁发了年度“万宝龙卓越艺术成就奖”，2003年，法国政府特别授予他“法兰西文学艺术骑士勋章”。

Long  Yu    Artistic Director & Chief Conductor

　　Long Yu is one of the most distinguished Chinese conductors with an established international reputation. As a guest conductor, Mr. Yu regularly appears with orchestras in Germany, France, the Netherlands, Switzerland, Belgium, Poland, Hungary, Portugal, Slovakia, Australia, Singapore, Thailand, Hong Kong and Macao. Over the years, he has worked with a variety of groups, including the Hamburg State Opera, Rundfunk Sinfonieorchester Berlin, the Radio Symphony Orchestra of Leipzig, the Academy of Saint Martin in the Fields, the Budapest Radio Symphony Orchestra, the Bremen Philharmonic Orchestra, Hamburger Symphoniker, Le Theatre de Nice, the Sydney Symphony Orchestra, the Hong Kong Philharmonic Orchestra, the Tokyo Philharmonic, the Singapore Symphony Orchestra, and has collaborated with many distinguished world-class musicians including Neville Marriner, Mikhail Pletnev, Itzhak Perlman, Augustin Dumay, Cho-Liang Lin, Frank Peter Zimmerman, Matt Haimovitz, Jian Wang, Lang Lang,  Yundi Li, Charles Neidich and Tiziana Fabbricini. Mr. Yu has conducted the operas La Traviata, Turandot, Aida, Carmen, Lucia di Lammemore, Romeo and Juliet, and Don Pasquale to critical acclaim, and has developed a repertoire covering works spanning many different periods and forms. He has also produced and conducted operas for The Urban Council of Hong Kong for five successive years. His profound musical interpretations and unique style have won him broad acclaim and international stature.

　　Long Yu was born in Shanghai in 1964 into a family of musicians.  He received his early music education from his grandfather the composer Ding Shande, and this prepared him for the rigorous formal music education he subsequently received first at the Shanghai Music Conservatory and then at the Hochschule der Kunst in Berlin.  Mr. Yu's current position is attributable to talent and hard work as well as direct guidance from first-rate music educators and conductors in both China and Germany.

　　Long Yu's professional experience and achievements in his native China cover both the artistic and the administrative.  In 1992, he was appointed Principal Conductor of the Central Opera Theatre in Beijing.  In the same year, he was involved in organizing the inaugural Beijing New Year's Concert, now an annual event, and served as its conductor for three successive years.  In 1998, he founded the Beijing Music Festival. As the BMF's Artistic Director, Mr. Yu's considerable administrative skills and artistic judgment have played a pivotal role in establishing the BMF both as China s premier classical music festival and as a significant annual world music event. Mr. Yu has earned widespread recognition for his role in helping to promote classical music and international artistic exchanges in China.

　　In 2000, Long Yu co-founded the China Philharmonic Orchestra and was appointed its first Artistic Director and Principal Conductor. 

　　On December 16, 2000, Long Yu conducted the CPO's inaugural concert in Beijing.  This concert was a great success.  Of the works Mr. Yu has conducted since the founding of the CPO, Verdi's Requiem in February 2001, Berlioz's La Damnation de Faust in January 2002, Mahler's Das Lied von der Erde, and Du Mingxin's Symphonic Peking Opera Female Generals from Yang Family represent milestones in China's musical achievements.  At the opening concert of the 5th Beijing Music Festival in October 2002, the CPO gave the PRC premiere of Mahler's Symphony No. 8 ('Symphony of a Thousand').  Among his conducting highlights during 2003-2004, Mr. Yu led a number of concerts and operas including the Mahler's Symphony No.2 ("Resurrection") and Bizet's Carmen with the CPO, his expansive and passionate conducting gave the music an intense appeal and received widely critical acclaim. In addition to a busy performance schedule in mainland China, the CPO has also appeared under Mr. Yu's baton in the Casals Festival and toured Taiwan, Cupatina, USA, Japan and Korea. All the CPO's overseas performances have been hailed as great successes.

　　In May 2003, Long Yu was appointed the Music Director of the Guangzhou Symphony Orchestra. From September 2003 to the end of the year, he led both the China Philharmonic Orchestra and the Guangzhou Symphony Orchestra with Mischa Maisky as soloist for their European tours, giving concerts at the Palais Garnier, Champs Elysees Theatre, Teatr Wielki - National Opera Warsaw, Grosser Saal of the Musikverein, Vienna and Royal Concertgebouw, Amsterdam.

　　From February to April 2005, the China Philharmonic Orchestra took its world tour under the baton of Maestro. Long Yu. Within 40 days, the CPO appeared in 22 cities the United States, Canada, Italy, Slovenia, Croatia, United Kingdom, and Germany. This is the first time a symphony orchestra gave performances in the two continents in China's history, even in Asia. The concerts in Lincoln Center in New York, Avery Fisher Hall, Barbican Hall and the Berlin Philharmonic Hall were high acclaimed as 襛 new era of Chinese Symphonic history?and 襜eing the proud of Chinese people?by both the audience and the media, including the New York Times, the Times in London, and the Frankfuter Allgemeine Zeitung .

　　Long Yu has made many recordings including, on Naxos, Korngold's Violin Concerto and Ding Shande's Long March Symphony with the Slovak Radio Orchestra.  In November 2000, he recorded two CDs on Deutsche Grammophon with the China Philharmonic Orchestra, one of Wagner's Tannh妘ser Overture and the Sch歯berg orchestration of Brahm's  Piano Quartet in G Minor, Op. 25, the other of highlights of Chinese symphonic music.

　　Long Yu received the 2002 Montblanc Arts Patronage Award from the Montblanc Cultural Foundation, and in 2003 came 'Le grade de chevalier dans l' ordes Arts et des Lettres' (The Honor of Chevalier of French Art and Culture) from the Government of  France.

责编：雍莉